THE BRIDEGROOM, THE ACTRESS, AND THE PIMP

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This play by Munich Action-Theater states that love is a tool of violence in the hands of the ruling class. This Straub-Huillet opus, where stars Rainer Werner Fassbinder, soon-to-be a director himself and one of the most prominent representatives of the German New Cinema, is invoking the writings of Chairman Mao and the events of Paris 1968, cites the Pains of Youth by Ferdinand Brucker (1926), includes poetry by Saint John of the Cross and musical passages from Bach's Ascension Oratorio.

Jean-Marie Straub & Danièle Huillet

The duo of French directors Jean-Marie Straub and Danièle Huillet is often defined as the most intense and controversial collaboration in the history of cinema.

Nearly inseparable partners since 1954 until the death of Huillet in 2006, they worked intimately on every aspect of film production, from the script to the editing.

They made films adapting the ambitious works of literature, visual arts and music: stories by Böll, Kafka, Duras, and Pavese; poems by Dante, Mallarmé, and Hölderlin; a play by Corneille, an essay by Montaigne, a film by D. W. Griffith, a painting by Cézanne, an opera by Schöenberg; the biography of Johann Sebastian Bach. Extremely attentive to the relationship between the image and sound, the directors used to interpret, rewrite and re-actualize the stories, layering them with the political narrative. Straub-Huillet's films reflect on the lessons of history, discuss imperialism, militarism, resistance and advance the Marxist ideas of the class struggle.